ABOUT
Eric began his career moving out to Oregon and working with veteran composer Mark Orton, best known for his long-standing collaboration with legendary auteur filmmaker Alexander Payne (Nebraska, Oscar-winning The Holdovers). Since then, Eric has composed music for numerous feature films, documentaries, shorts and video games. Recent credits include Higher Ground and Concordia Studios’ Netflix docuseries Working: What We Do All Day starring Barack Obama, Crooked Media’s Dreamtown (Tribeca 2023), Jan Haaken’s award-winning documentaries (Including Our Bodies Our Doctors), and the feature film 12 Mighty Orphans. He also assisted on Payne’s Oscar-winning The Holdovers. Eric has also written music for major podcasts that have won Emmys, and Ambies for folks including Bad Robot, Crooked Media, Spotify, New York Times, Pushkin, Apple, Pineapple Street and more
Eric is somewhat of an explorer by nature and has spent long stretches deep in the wilderness of the American west as well as Ecuador, Brazil and Southeast Asia. He has relatives scattered from Oregon to Mississippi to Maine and writes music inspired by these landscapes, by history, and by his love for friends and family. Classically trained and self-taught in equal measure, Eric crafts emotionally intimate scores for a character driven films, environmental docs and and story-driven games by self-producing novel performances from his ever-expanding collection of instruments from around the world, from 1920s-era guitars to waldzither, pump organ, charango, autoharp, banjo, Rhodes, ngoni, gusli, dobro to tape machines and spring reverbs. Always empathetic and attentive to the subtleties of the narrative on screen, and always emotionally immersive.
In parallel with his scoring work, Eric performs and releases music under the moniker Kennebec, a genre-defying cinematic chamber-folk ensemble serving as a creative laboratory for Eric’s more uninhibited experiments. Through Kennebec, he has collaborated with modern indie, jazz, pop, and classical luminaries including Samuel T. Herring (Future Islands), Miguel Atwood-Ferguson, Sudan Archives, Yazz Ahmed, Alfa Mist, and Joe Armon-Jones. He has also shared stages with Arooj Aftab, Kevin Morby, Joep Beving, and Minus the Bear, and performed at festivals such as PDX Jazz and South by Southwest.
Outside the studio, he likes to spend his time hiking, collecting field recordings and testing new ways to make his partner Emily laugh. Recent favorites have included Paris: Texas, Clair Obscur, Lincoln in the Bardo and Pluribus.
FULL CREDITS
FILM
Sidequest
Abril
The Doghouse
Damien & Michael
A Simple Machine
The Zebra & the Bear
The Palestine Exception
Polk County
Covenant of the Salmon People
Atomic Bamboozle
Tongass Roadless Protections
The Holdovers
Working: What We Do All Day
The Ghost
The New S-Class
Look Away, Look Away
Charming the Hearts of Men
12 Mighty Orphans
Negrón: A Tennis Short
To the Edge of the Sky
Back to Love
From the Ashes
The Lears
Booyaka!!
Fallout High
Ryder and the Elephant
Chehalis: A Watershed Moment
Myosotis Love
The Last Shift
Necessity: Oil, Water & Climate Resistance
The 11th Green
Giants
Our Bodies Our Doctors
Elsewhere
Here Awhile
Use Me
Sunset Over Mulholland Drive
Jim Allison: Breakthrough
One Life to Give
The Reluctant Radical
Into the Woods
Life Sentences
Mastodon
A Flight of Fancy
At My Fingertips
Swimming Pool
The Burtons
GAMES
LORT
Pond Water
Reindeer!
Dear Felicity
Will You Snail
Oscillarium
THEATER
The Cortége
PODCASTS
Medal of Honor: Stories of Courage
Dreamtown: The Story of Adelanto
The Superhero Complex
Project Unabom
SYGNYL
The Line
Wind of Change
The Fighty Pucks
Death on the Farm
Dear Felicity
FILM
Sidequest
Abril
The Doghouse
Damien & Michael
A Simple Machine
The Zebra & the Bear
The Palestine Exception
Polk County
Covenant of the Salmon People
Atomic Bamboozle
Tongass Roadless Protections
The Holdovers
Working: What We Do All Day
The Ghost
The New S-Class
Look Away, Look Away
Charming the Hearts of Men
12 Mighty Orphans
Negrón: A Tennis Short
To the Edge of the Sky
Back to Love
From the Ashes
The Lears
Booyaka!!
Fallout High
Ryder and the Elephant
Chehalis: A Watershed Moment
Myosotis Love
The Last Shift
Necessity: Oil, Water & Climate Resistance
The 11th Green
Giants
Our Bodies Our Doctors
Elsewhere
Here Awhile
Use Me
Sunset Over Mulholland Drive
Jim Allison: Breakthrough
One Life to Give
The Reluctant Radical
Into the Woods
Life Sentences
Mastodon
A Flight of Fancy
At My Fingertips
Swimming Pool
The Burtons
GAMES
LORT
Pond Water
Reindeer!
Dear Felicity
Will You Snail
Oscillarium
THEATER
The Cortége
PODCASTS
Medal of Honor: Stories of Courage
Dreamtown: The Story of Adelanto
The Superhero Complex
Project Unabom
SYGNYL
The Line
Wind of Change
The Fighty Pucks
Death on the Farm
Dear Felicity
MUSIC FOR FILM & TV
MUSIC FOR GAMES
KENNEBEC
In parallel with his scoring work, Eric releases music under the project name Kennebec, a genre-defying cinematic chamber-folk ensemble that seves as a creative laboratory for some of his more uninhibited experiments. Through Kennebec, Eric has collaborated with modern indie, jazz, pop, and classical luminaries including Samuel T. Herring, Miguel Atwood-Ferguson, Sudan Archives, Yazz Ahmed, Alfa Mist, and Joe Armon-Jones. He has also shared stages with Arooj Aftab, Kevin Morby, Joep Beving, and Minus the Bear, and performed at festivals such as PDX Jazz and South by Southwest.
WATCH
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Thank you for listening! I genuinely cherish collaborating with other creatives on all sorts of new projects - from TV series to interactive media and beyond. If you’d like to get in touch, please fill out the form below or email me directly at Hello at EricPhillipsMusic.com